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Earnings Call Transcripts

Spotify Technology S.A.

SPOT
Quarters2 Quarters
ContentQ&A Sections
SourceEarnings Conference Call
Quarter 1

Q1 2026 Earnings Call — April 28, 2026

Analyst: Ben Black

Management: Our first question today is going to come from Rich Greenfield. I apologize. Slight technical issue here. We're going to start with Jessica Reef-Ehrlich's question on operating expenses. Q1 had higher marketing, cloud, and AI spend. Can you discuss the pace of investment for the balance of the year and how you would define a successful outcome for this investment spend?

Management: Thanks for sneaking in a question right at the top there. They usually take longer to get to. So we did spend a little bit more on OPEX. And the way to think about it is we have not increased our headcount. Actually, we've slightly decreased our headcount. But we are spending more compute per employee. And that is because we're seeing tremendous return in terms of productivity. We talked about accelerating our ability to ship products already during the late fall. That has only accelerated since then. So we're simply doing much more, and we're getting very good return on that investment. But as we ship more features, in order to get the true return on that investment, we also need to tell our users about those features, which is why we're seeing some more sales and marketing spend as we market these features to users. But the way to think about it is we see tremendous opportunity here. I usually make the analogy to 2009 when the iPhone came out and the App Store came out. And believe it or not, I was actually here back in 2009. So I lived through that. It was a time of tremendous opportunity. Some people sat around and waited. Spotify did not.

We took the opportunity and we drastically accelerated first our conversion to premium and then our free user growth. We think this opportunity is as big or possibly bigger. So we're taking that opportunity. But we are very diligent and very disciplined about those investments. So we are seeing these returns. I talked in my prepared remarks about the DJ closing in on 100 million users. Also something we released only four weeks ago, SongDNA, is now up to 52 million users in just four weeks. So we are seeing the kind of growth and return on these feature investments that we want to see. Obviously, we think that usage is a good proxy for retention, and retention is a good proxy for revenue long term.

Analyst: Rich Greenfield

Management: Growth is still slowing after the meaningful investments in ad tech in 2025 and absorbing the impact from changes to podcast advertising for premium subs. Why is increased engagement not translating to accelerating ad revenue growth?

Management: Rich, my friend, this is Alex. I hope you're doing well. I just want to, before I expand on the question, I do want to just mention to Jessica, you should check out Prompted Playlist, a global campaign just came online yesterday. It's just a terrific campaign that explains how basically we give you back more control over your Spotify with us using AI. And this is a good point to sort of back up what Gustav just said. It's out there in the wild right now, and it's performing. So let's get back to the ad business. You know, the ad business, Rich, has been seeing very sturdy progress more recently. But if you take it back, you know, a year and a half or two years almost, you know, we observed that there was a gap. What was the gap? Well, essentially, we saw us missing out on a time where people were putting a lot of money. And this time was programmatic. It was automated sales and it was biddable exchanges. And the decision we made back then was a pretty tough one because we had to essentially rebuild the entire stack.

And we did that knowing that we would face a bunch of short-term pressure, but that it would unlock meaningfully a much bigger market for us in the long term. Now... That transition is done. So now it's about execution is about patience. And, you know, really what you have to believe for this is to work out for us are a couple of different things. But mainly it's whenever, you know, we have seen increased time spent on Spotify and quality time to boot. right then and then there's a gap to monetization typically that gap will close it's a question of time whether it's like you're thinking about it as as like advertising as a category whether it's inside a company the gap will close it's just a matter of time the other things you need to believe in is that really this rebuilt new stack that we have it actually gives us more opportunity to do new things that we couldn't do before and obviously that our measurement and and um And performance shows that Spotify delivers as a brand. You know, what hasn't changed, I'll end with that, is that advertisers, they come to Spotify, marketers, they come to Spotify for three different reasons.

Our beloved brand that they want to associate themselves with, our high user engagement, and also, of course, our high quality content.

Analyst: Benjamin Black

Management: First quarter premium gross margin was very strong despite only one month of U.S. pricing. Can you highlight some of the key drivers of the outperformance and also dig a bit deeper into the 2Q gross margin guide? Could you talk about the investments you're making that may be weighing on gross margin upside?

Management: Hey, Benjamin and Alex here. I was looking forward to answering this question, but I don't know what Brian did there when he sort of hit it. But it's now back up again. I was happy to see that. I mean, it's cool that you call it out, because both Gustav and Christian are very pleased with the gross margin progression. Not just for this quarter, but also consistently in the last three years. And really, the underlying reason for this is a very healthy core that actually spans both music and podcasts and audiobooks. Now, Christian will give you the technicalities of that. As far as going forward, I think the important thing is to understand how we think about gross margin. And like Gustav said, this is a time of... tremendous opportunity for us. And you know the muscle that we've built during the past three or actually even four years is that we think about reinvestments using cost of revenue using gross margin in a very disciplined way. We do that. We try to strike a balance between that and margin progression. And again you know I think we have pretty good track record striking a good balance between these two things.

Should I just give you a little bit more flavor on the second quarter gross margin guide as you ask about that? I mean, we do have a very strong gross margin expansion, 133 basis points in quarter one and 160 basis points in quarter two. I got a comment earlier today on it's not growing quarter over quarter. It didn't do that last year either. And we have talked about the variability, and then we want to invest when we can and see the opportunity. And we will expand over time, and we do that. But it may not just look like that in each quarter. But it actually looks like that. We are growing year on year, both quarter one, quarter two. We have reinforced the statement that we will do it for the full year. And we do invest in the same time on the base, on the top of our core that is going really well. And that we do in quarter two in smaller, minor investments in different things. And some of them you will see today. And some of them you will see when we get to investor day. And some of them you maybe will see later.

But it's a good, good flow we have right now. and we're very disciplined and working very hard in our weekly bets board to actually update ourselves and see what we want to do.

Analyst: Doug Anmuth

Management: Can you update us on your progress towards new AI products that would empower users to create new content and enable derivatives of existing music? What are the hurdles to launching these products, and do you expect that they would impact your cost structure or margin trajectory in any meaningful way?

Management: Hey, Doug, this is Gustav. I'll take this. I've talked about this a little bit before, so for now, I'll mostly reiterate how we actually think about this opportunity. The way to think about it is that the generative market, for example, for music is really two things. It's net new music, which is happening at scale and quickly increasing the catalog. And that, we think, is good for a company that aggregates contents because it makes the recommendation problem even more important. I think it's worth thinking about. I just mentioned, revealed my age here, saying that I joined Spotify back in 2008. When I joined, I think the music catalog was about 2 million tracks, and now it's something like 250 million tracks. So the growth of the catalog is not new. We think it's going to keep increasing. And that means that the recommendation problem gets more important for consumers. But where we think there is a unique opportunity is that right now, existing creators are largely left out of the AI opportunity altogether. Many creators are using AI to make new music, but existing creators cannot join.

That's because the copyright problem is much more complicated to solve well, and the attribution problem of who should get paid what is much harder. But we love hard problems. So that's the problem we want to go after. We want to take this opportunity to existing creators as well. with derivatives of existing IP. So as I've said before, we have the capabilities and technologies we need. We are the right company to solve this problem. And we think that existing creators should participate in AI just as well as new creators.

Analyst: Justin Patterson

Management: We're seeing many companies wrestle with headcount investment versus rising AI costs. How is Spotify approaching this problem and gauging employee productivity?

Management: So this is Gustav again. Thank you, Justin. So I kind of mentioned this. I snuck this point in before, but I'll reiterate that we are seeing tremendous productivity growth. You can translate that into different things. You could translate it straight into cost savings and cut headcount, which some companies out there are doing. The other thing you could do is to say we're going to be roughly the same amount of people. We're just going to do more. The third thing you could do, which I also see many companies doing, is saying we should invest like crazy because there's so much opportunity. Right now we're going for the middle approach. We're keeping our headcount roughly flat and just doing much more, shipping more value to consumers. And then on the question on how we measure this, you have many proxies on the way. So one proxy for this would be something very technical like pull requests, what amount of code is getting written. And maybe better proxy is how much we actually ship. We have something called DODs, definitions of done, for any feature that we build.

So how many DODs are getting done? How many bets do we have on this bet board that I think Kristen mentioned I've talked about before? And all of these keep increasing. And they're increasing, you know, several times. They're not increasing 10%. They're increasing, you know, they're doubling. That's that kind of increase. So we're seeing all of these metrics. Now we are starting to see these things ship. And as I mentioned, with things like song DNA, DJ, we're starting to see them translate into usage. And usage, as Alex mentioned, is a really good predictor of retention. And retention is a predictor of revenue. And as Alex mentioned as well, we have three different modes of monetizing features. There is the free tier where you can maximize the reach. There is one of the world's largest subscription where you can bundle things. And then as of recently, we've also shown that we can do top-ups like within audiobooks, which we are very excited about the progress on and the numbers that we are seeing. So we feel very good. What I'm trying to convey is that we are diligent and disciplined, but we are not sitting around waiting for this opportunity to go past us.

We are taking the opportunity. So that's where we are right now. a little bit of historical flavor on that. I just want to add and remind us that some years ago, we did a resizing of the organization. And since then, as you've seen, we haven't increased our employees. And we have been very diligent in keeping the overall platform stable. And as last as the last quarter, we decreased with 65 people. So it's not like we are growing people and doing that. And we haven't done that for three years. It's been a very disciplined approach to this. I think, yeah. Alex here is probably too humble to say it himself, so I'll say it for him. Alex is actually the one who set this plan about three years ago to get Spotify to be profitable, and we've been executing on this plan, so we are very diligent with our costs. Thank you. That wasn't planned. Give me that much praise. It's the both of us, of course. It was actually spur of the moment. It's the both of us.

Analyst: Deepak Madhavanan

Management: You have integrated Spotify and leading AI applications already. Chat GPT last year and Claude more recently. Can you talk about what type of traffic you're seeing and how consumers are using Spotify in AI applications

at this time? And how are AI applications helping KPIs such as MAUs and time spent?

Management: It's really all about AI today.

It's great. So we are the... There are a few ways to think about this. As you know, Spotify has had a few core pillars, one being freemium, another being personalization, and the third being ubiquity. So one way to think about this is just ubiquity. Spotify was always going to be everywhere, right? This has been a counter strategy to some of our competitors who favor their own ecosystems. So this goes for ChatGPT, Cloud, et cetera, as well. We just want to be wherever users are. And so that's a simple way to think about it. And I also mentioned that we track usage and engagement and costs very diligently. And we are seeing what we want to see. In terms of type of traffic, it depends on the feature. What Alex mentioned up front is we have, for the first time in Spotify history, this ability for users to actually tell us in plain English or actually whatever language they want, what they want. We were always guessing. Old school machine learning was a statistical activity based on clicks and streams. Now people are telling us in English that they're going for a run and they want this BPM and that cadence and so forth.

So we're getting this treasure trove of data that we are capturing, training on. And this builds a unique advantage for us. I talked last time about the large personalization model, which is a model that we're training from based on open source models. But it's trained on our proprietary data. This is not something that we rent from someone. This is something we're building in-house. And, you know, the casual name for the large personalization model is a taste model. Why is that important? It is because it turns out that taste is actually not a fact. It is an opinion, and it differs between people, between markets, between use cases and activities. So that is the kind of usage that we were hoping to see in Prompted Playlist in AI DJ. And that's exactly what we are seeing. Very advanced usage that is giving us a type of data we never had before. And now we're just heads down serving those use cases better than anyone else.

Management: Let me jump in on the action here a little bit, Gustav. I think it's important that you are hearing Gustav say this, and I say it sometimes, about how we think. I think as a general approach, it's good for us to explain to you how we think about things so that you can understand how it applies to other things as well. You know, when Gustav said earlier in the response to another question that when the music catalog grows and when our content platform grows in volume, it's always been good. You know, it's good for users. It's good for the industries that we're in and so on. But then the second thing that happens is something we've also said for a long time, and Daniel broached this many times in these calls, that we optimize for the long term, and we talk about optimizing for lifetime value. So how do you bridge these two things with an ever-increasing catalog of content and lifetime value? Well, you know, it turns out that the number one reason for why people actually engage more with Spotify is personalization. And how we track that is if AI increases engagement for us, it generally means that it increases personalization for us.

And increased personalization engagement, to Gustav's point, are going to lead to, well, they are going to be the best proxies for the increase in retention that we're going to see over time with these investments. And if that happens, then we know that that will eventually translate to a longer lifetime value, which in turn translates to more enterprise value. So that's how we think about the investments.

Analyst: Eric Sheridan

Management: Can you frame the key platform and product initiatives that are driving incremental operating expense trends? How should investors think about the trajectory of operating margins going forward?

Management: I'll start with them and then Chris can talk about the trajectory. So I've kind of mentioned it already in terms of the OPEX band that it's a mix of increased compute, not increased headcount, and sales and marketing to make sure that we capture the value of the features that we're now launching. To give you a bit more detail in what do we mean with compute, it's a few different things actually. One is just using things like cloud code, codex, et cetera, to accelerate our development pace and building some proprietary systems around that. I talked a little bit about Honk last time. I have many more exciting things to talk about if you guys want to go there that we are doing. But that's just one type, accelerating our productivity of writing code. But then, as I also mentioned briefly, we are training rather large models in-house. Because we have lots and lots of unique data that no one else has. For example, the large personalization model, which is not something that you can rent or buy off the internet. You literally need 700 million plus people every day using the platform to be able to say what is trending in a certain region in India right now. So a lot of it is training or some of it's training cost, and that's upfront. And we'll capture that value when those products roll out. And some of it is just direct productivity in terms of development costs. So think of part of it's strategic investment, part of it as a productivity investment.

Management: Yeah, and when we see product market fit with the features that we launch, it just leads to an opportunity for us to talk more about it, meaning we can start telling compelling marketing stories around it to scale it even further on top of this healthy core that we have. It's all about awareness and use once you find product market fit. And what we highlighted and I did in my script was that the next two quarters will be a little bit elevated from this, and we do have a different pattern on our launches this year of products, and that's what Alex talked about. And the R&D, of course, is extremely important for building the tech stack that we are delivering to our customers. So I just want to say with that also that what we did say and we reiterate is that the operating margin will improve year over year.

Analyst: Justin Patterson

Management: How are you judging the higher cost of the free tier versus subscriber conversion and your LTV framework? How does this compare to your expectations when rolling this out last September?

Management: All right, Justin, good question. I'll start and then Christian will fill in. So you heard me in the remarks saying that we in particular pay a lot of attention to the number of days in a month that users spend on Spotify. So I'd much rather someone spend many days in a month rather than many hours per day. Of course, you would want both. But if you have to prioritize, it's the many days in a month. And really, internally, we talk about it as the lifeblood of our system. And if you look back on the development of the free tier, the new more enhanced free tier that we launched, I can't remember, is it a little bit more than a year ago now? We have seen consistently that the free tier users have increased in the active days in a month. Now, what does that mean? Well, we've had this consistent increase for many years, basically from like 21, 22, 23 and so on. But when we launched new improved free tier globally, we saw this just step change, which essentially means that people... are liking the free tier much more. It's satisfaction and more usage and more days in a month. So that is always going to downstream lead to more subscriber conversion and eventually lifetime value. I mean, it's just blown up my expectations fully since we launched this last September.

Management: Just chiming in, I guess you also have then read the numbers and maybe a little bit surprised that in the quarter was one of the few times we had a negative development on the year-over-year gross margin on the ads business. But that is really coming back to the great engagement we have, and where the engagement is driving more content costs right now than the income on top line. But the beauty in that and the healthy thing with that is that, of course, that means that we will be able to monetize that as we go into the future quarters, and that will be then a positive push going forward. So that is really a short-term issue.

Analyst: Rich Greenfield

Management: Fitness will undoubtedly drive increased video engagement on Spotify, particularly on TV screens. How does this impact your video ad business, and how should we think about the cost impact you will bear within the premium business from adding this content?

Management: I know you love your TV and Apple TV, Rich, so hopefully we'll see you using Spotify, pumping iron in front of the TV or maybe doing some stretching. You should think about this launch as a launch in fitness that basically is something that's happening organically already on Spotify. This is something we're doubling down on. And much like we did when we launched podcasts at first and also audiobooks, we saw the behavior organically happening on the platform. And if you think about the time here, the demand here, in our research, we have the staggering number that says that 70% of our premium users actually train or work out or go to the gym or do yoga every month. And, you know, you can also see it in the numbers. Hundreds of millions of playlists are being created to do yoga, to go to the gym, and so on and so forth, right? So this is us doubling down on that trend. And, you know, little did we know when, you know, about a year and a half ago when we launched SPP, the ad-free video experience for Spotify Premium users, we saw a lot of fitness instructors and fitness creators just unprompted upload a lot of videos to Spotify.

And if you think about it, this is really what we do, right? We use our platform to bridge the demand between creatives, like a fitness instructor, and users. We connect them using our three tri-modal economic engines like ads, subscriptions and top-ups and we do that you know between creators and this is what we're seeing with with with fitness right now for us so we we do look forward to this to this expanding even more and you know I'll just give you the highlight of how I'm using it you know we're seeing some tennis content come online I play tennis not that I'm very good at all but I still play a lot so When I'm sort of gearing up for a bit of a tournament, then it's an amateur tournament, then I'll see recommendations in the future coming up with podcast videos telling me how to stretch and relax before I go into that week. Maybe there's some instructional videos that tell me how to improve my sake backhand. Maybe I'll get an audiobook recommendation on how to think about tennis playing. So this is really something that we're happy to invest in. This is a demand trend that's happening. right now on Spotify.

Analyst: Jessica Reef Ehrlich

Management: Have you seen anything unusual in subscriber reaction to your recent price increase? And could you talk about tools for further ARPU expansion from here?

Management: You saw us increase price around the world in the last quarter of last year. And then you saw us increase in the U.S. in this most recent quarter. No surprises at all for us. And ARPA expansion tools? I mean, how do we feel about increasing ARPA over time? I mean, I think one of the things we have talked about is when you bring engagement and more verticals, you can actually monetize on that. But on top of that, I think we've proven with the model with audiobooks and top-ups that that is a way to bring more monetization on our platform from our subscribers. And we continue to look at those kind of elements.

Management: I'll just jump in here. Alex talked a little bit about us explaining how we think. And I think one useful model to think about, not just Spotify, actually all consumer products, is that people talk about averages, your average usage and so forth. But almost nothing is an average. It's almost always a power law. You have a long tail of users who use something a little, and then you have a head of people who use it a lot. And so Spotify always had the business model to capture the long tail, which requires a free tier, and to capture a bunch of the averagely engaged users in premium. But until we launched audiobooks add-on, we didn't really have a tool to capture the head, the people who wanted to read for hundreds of hours a month. We had a clear theory that we could capture the entire power law, but we hadn't proven it to ourselves until recently. Now we have those three tools. So we feel very good about just getting more usage on the platform and use these three tools to monetize it.

Analyst: Stephen Cahal

Management: Does Spotify believe in an AI music creation tier? And if so, what are the sticking points with content partners and how might it be priced to premium users?

Management: Yes, this is Gustav. I've touched on this a little bit. What we do believe in is that there is a lot of opportunity out there for creators who want to use AI tools, but there is an opportunity that no one is addressing right now for existing artists. And we really want to address that part. We don't think existing artists should be left out of AI. We think that may actually be the most interesting part of music. If you look at other industries, existing IP is actually the most valuable IP, not the least valuable. But because of how AI music works right now, that is not addressable. That's the problem we want to solve. We think there's a big opportunity for creators and for Spotify and for investors there. And so we think that there is a big opportunity to expand the music catalog. And that is obviously good for us. But we think there is also a big opportunity for existing artists that isn't addressed yet.

Analyst: Benjamin Black

Management: Yesterday, you announced a partnership with Peloton. Could you highlight the strategic rationale? And also, could you talk about the cost structure or this deal? And how does this compare to audiobooks or the Spotify partner program spending? And is it reasonable to think that monetization will follow a similar strategy to audiobooks back in 2024 slash 2025?

Management: Hey, Benjamin. Good question. I like our partnership with Peloton. Although we don't talk about the specific of deals, you know that. I can let you know that this is content that's ad-free. It's high-quality content that normally resides within subscriptions that retail at a much higher price. So we're putting that on premium inside the fitness category. And, you know, so your question is, like, how does this compare to audiobooks? Well, in that sense, it actually is similar to audiobooks and SPP.

Analyst: Maria Rips

Management: Higher engagement among ad-supported users is clearly a positive. What needs to happen for that engagement to start translating into gross margin tailwinds?

Management: I think just continue the work on the sturdy progress that we've had so far with the new ad stack, getting not just more programmatic ad sales on top, which is growing very, very fast right now, but also sort of looking holistically at the whole system, including direct sales. I just want to reiterate that the quarter one gross margin dip we had was a very small one, and that was a short-term issue. And we reiterate, which we have said now for six months, that we see that the second half of 2026 is where we see the growth picking up. I just want to say that again and again, as it was some kind of a lot of questions around it today, that we have said that quite for a long time now, that it's the second half where you see the progress coming through.

Analyst: Doug Anmuth

Management: On tiering, you've recently shifted tiers to feature and product sets in a handful of markets, essentially enabling good, better, and best versions of Spotify. What have been the early learnings with this move, and how could they apply to more mature or established markets?

Management: I love that you paid attention to this, Doug. This is one of my personal favorites. It's like you said, it's v

Quarter 2

Q4 2025 Earnings Call — February 10, 2026

Analyst Jessica Reif-Ehrlich (Firm): Across all sectors, the market is acutely focused on AI and its impact on current business models. How is Spotify planning to use AI tools and applications for new and evolving product offers, and will this eventually lead to new tiers of service?

Executive Gustav (Title): Thank you, Jessica. I'll take this. And this is a big question. I'll try to keep the answer to under 30 minutes. Just kidding. I try to answer some of this up front in my prepared remarks, but I want to say one additional thing. If we just zoom out and look at what is happening right now is the typical example of what is called a macro change, right? Spotify has lived through many macro changes. And I think it's important to know that while many people are scared in times of change, this is when there is the most opportunity. If you look at Spotify, it was born out of a macro change, which was ubiquitous, cheap broadband. That's how we got to scale. And then this next huge wave came across us called the smartphone. What happened? Spotify accelerated and started growing faster. Then the next microwave came, which was called personalization. What happened? Spotify embraced it and grew even faster. Then the next thing came, which was the connected home. We all forgot about it now, but it was a big deal. What happened? Spotify started growing faster, over 2,000 integrations with hardware partners.

The thing about macro change is that if you capture it, it's an opportunity, not a headwind. This is what we're focused on. And we feel very well positioned for this opportunity. As I shared in my initial remarks, the first thing to look at is, do you even have the right business model? If you look at the AI companies, the business model is subscription and increasingly ads. That's what we excel at. So we have the right business model. And I don't see that changing for the consumer space. So we feel very positioned from a structural point of view. On top of that, as I shared, we've been investing towards this opportunity for many years now. Because while it's happened faster than many people think, it was not impossible to foresee that this would happen. If you just believed in the exponential, we would get here. This is why we are leading in the market with these interactive natural language-based services in terms of media platforms. So to be specific about what I'm excited about, I am excited about us being the first truly intelligent agentic media service that you can literally talk to. And this is not just a pipe dream.

You can already talk to Spotify through the AI DJ casually, but also through from the playlist in sort of a deep research way. We're going to keep investing in that. What that means structurally for Spotify is that we are building a data set that never existed, which is the data set of language to music, language to podcast and language to books. We've had the song to song data set, but no one had the language to song data set. And I want to drive home a point here, which is this is a very specific data set. You may think it is a canonical data set, meaning there is a factual answer to, for example, what is workout music? There is no factual answer to what is workout music. In fact, it turns out that taste is not a fact, it's an opinion. So if you look at something like workout music, on average, for an American, it's usually hip-hop. For a European, it's usually EDM. For many Scandinavians, it's something like heavy metal or even death metal. But then again, for a lot of Americans, millions at least, it's also death metal. So there is no canonical answer to what does workout music mean. You can't just have an LLM commoditize it as a fact the way you can commoditize Wikipedia.

You actually need to have many, many hundreds of millions of listeners across the world's market constantly telling you what it means for that specific person. This is a data set that we are building right now that no one else is really building. It doesn't exist at this scale. And we see it improving every time we retrain our models. This is what I'm excited about. I think I'll stop there or I'll take the whole Q&A.

Analyst Doug Ameth (Firm): What are the drivers of gross margin expansion in 2026 and do they shift at all from recent years?

Executive Alex (Title): Hey, Doug, I'll take that. Alex here, and then Christian, you may jump in. I'm confident in our gross margin trajectory in terms of making progress towards our long-term goals that we've talked about before. We intend to do it in a steady and sustainable manner, and the way we're really managing our gross margin is a balance between a couple of different things. One is thoughtful monetization. Two, we want to be disciplined with reinvestment and our cost of revenue. And, of course, we're going to innovate to create even more differentiation for our platform. And if you think a bit about the last few years and look at our trajectory, I think we've got a pretty good track record in striking this very balance.

Executive Christian (Title): I just want to fill in. I mean, to start with, just going back a bit to my own script, we do want to invest and we will invest in future value when we see we have that opportunity. And that is what we're doing. And creating long-term value is what we're looking for every day. But looking at the gross margin pace here in quarter four going into quarter one and also for next year and the things that drives that, I mean, what I said was that the price increases that we have done here is going to outpace the net content cost in 2026. Remembering also that we are improving our ads business slowly as we go forward, and we feel that that will pick up in the second half of 2026. We have a marketplace that added both to gross income and margin in 2025. That is also a good tool for us. And finally, as we expand new verticals within the countries that we are in and also to new countries, that is also a good support for our margin development.

Analyst Jessica Reif-Ehrlich (Firm): You've spent the last two years building out your ad tech platform. Can you provide a progress report? Where are you seeing the most progress and where do you have more work to do? And will there be a step change in advertising growth later this year?

Executive: Thanks, Jessica. You know, it's now one and a half years since we decided to re-engineer Spotify's ad stack and really move off of a rented stack. And we did this primarily to better match what our clients asked of us, the way they would like to buy on Spotify. And frankly, we did this also to meet and exceed the standards of really what is a high-performance, self-serving, biddable stack. It was a tough call back in that moment since I knew it meant that we had to take some pain as this was going to be deep surgery for us. I'm happy to say that we now have record levels of advertisers on the platform, and that increased density means much better yield and, as a result, more revenue growth for us. We are positive on ads. We still have work to do, but we're definitely making good progress and seeing very positive signs.

Analyst Jessica Reif-Ehrlich (Firm): Christian, can you provide an update on your views on capital returns, given your extremely strong balance sheet?

Executive Christian (Title): Yeah, well, it is a relevant question when we have now a good cash flow and we also have a strong balance sheet. We have said that before. Our primary goal is to reinvest in the business, and as we do that, we actually can increase our growth levels, and when we increase our growth levels, we can get more money to invest back and do that flywheel that Alex talked about in his script. And that is the – you have to always remember that is our first thought every day in this company, to grow the company. And as we've said, if we're going to have room for also returning something to the shareholders, we can do that. In duration, we did $510 million in buybacks in the market. And that is still an option for us also going forward, especially to cover up for dilution. In addition to that, as you know, we have $1.5 billion fallen due or plus in convertible note now in March, which we will settle in cash.

Analyst Eric Sheridan (Firm): Can you discuss your latest thoughts with respect to AI on one, its role in product and platform evolution for the company? Two, its effect to transform your internal processes? And three, the broader audio content creation and distribution landscape?

Executive Gustav (Title): Thank you, Eric. I think I touched on a lot of this in my opening remarks, but I'll summarize it briefly. In terms of its role in product development, as I said, you can actually already see that we spent a lot of last year rebuilding the company for an agentic age so that you can launch these services where a user can now ask Spotify a question in English that would have required you to be a senior developer at Spotify to be able to answer before. A year ago, only a very senior developer at Spotify could answer the question of what was the first track I ever listened to on Spotify. Please take the ones I listened to more than three times and match them against what was popular at the time. Now anyone can do that, just using English. So we've been spending time rebuilding the company for this age before. It's a little bit late to start now. You should have started about two years ago, which we did. And now you're starting to see the products on top of this rollout. And as I teased... We really want to be the world's first truly intelligent media platform.

You will hear us talk more about this at the Investor Day, so I won't share many more details now, but stay tuned for that. In terms of transformation of internal processes, I did briefly share in my prepared remarks this tool called Honk, where you can, using cloud code, literally... on the bus or the train, just ask Claude to add a feature or a bug to, for example, the iOS code base. It will push a QR code back to you so that you can actually try the app with that feature. If you like it, you can merge it to production without even getting off the bus. This is speeding us up tremendously. Now, we foresee this not being the end of the line in terms of AI development, just the beginning. I'm not going to give away more secrets about how we're going to capture it, but you can be sure that we are capturing this. We're retooling the entire company for this age, and it's going to be a lot of change. But as I said before, change if you capture it is opportunity.

Analyst Rich Greenfield (Firm): What percentage of music on Spotify today is AI generated? How much AI generated content is being uploaded daily? And what is your policy on the uploading of AI music?

Executive Gustav (Title): We don't share a percentage of music uploaded on Spotify that is AI-generated, but I'll talk to you about how we think about it. The way we think about it is, from a creative point of view, Spotify should not decide what kind of tools you're allowed to use. Are you allowed to use an electric guitar, a synthesizer, digital audio workstation, or AI, or more... a more complicated question, a bit of AI, like 1% AI, 15, 20, 100. We don't think it's our decision to make. What we do think, though, is that consumers would like to know and understand what tools were used in the creation of their music. So we've been working with the industry to allow them... creators and labels uploading music to put in the metadata how it was created so that we can surface this to users. And you just recently saw a feature called About the Song that we launched that literally tells you about the song, what the internet is saying. But as creators start adding this data, we can also tell the consumers how this song was made because we think people want to know. So that's how we think about it.

I also want to mention that one thing that AI can do is to accelerate the amount of spammy tracks. I want to be clear that there has always been people trying to abuse Spotify because it's a big economy using spammy tracks. AI is a tool that could help accelerate that. But because it's been a problem for a long time, we've been investing more than anyone else in the industry to curb this problem. So for us, spammy AI music is not a new problem. It's just more scale on an existing problem that we actually feel we are leading. In general, as more content gets created with ever more advanced tools, this is a good thing for Spotify. As more content gets created and uploaded, the personalization problem becomes more important because now there's a bigger catalog. You need to understand individual users' tastes even better. So we see this development, and this is nothing new. When Spotify started, I think there were at most tens of millions of tracks. Now there are hundreds of millions. So the 10X explosion has already happened over the last 20 years. So this is something that we're used to. That's how we're thinking about it.

Analyst Rich Greenfield (Firm): Is Spotify playing to win in AI? The bare thesis on Spotify is that Udio, Suno, Clay, and Stability not only enable consumers to create AI music, but also become DSPs that take share from Spotify, with Spotify taking a more cautious approach. Any comments on that?

Executive Alex (Title): Hey, Rich. It's good to hear from you. So I spend a lot of time with the industry, the music industry, and with artists. And there isn't any doubt that everyone is optimistic about the future and that AI is an important moment for all of us. And at Spotify, we provide a service to rights holders and artists and songwriters, a service to distribute and monetize their art. And the key point here, this is a scaled service with a working business model. This is where you go to put your new songs, whichever technology or instrument or tool you use to create it. And I've done the rounds and no rights holder is against our vision. We pretty much have the whole industry lined up behind us. And like Gustav mentioned before, we want to do it in a controlled way, respecting artists and the community. And we will not do deals that aren't good for artists and ultimately Spotify.

Analyst Justin Patterson (Firm): If you could expand a bit more on Spotify's role in AI music, do you need to invest in content creation tools? And how are you helping human creators build audiences and income streams in this environment?

Executive: Justin, my friend, you've heard Gustav talk about how more catalog and interactivity is good for users and also good for the industry. So he sort of partially answered your question already, but I'll talk to you about how AI really enhances the value of our platform. So we have in the past, including Daniel, has talked about optimizing the lifetime value for our subscribers. And that is ultimately when you accumulate all of that, what builds enterprise value for Spotify. So the question is, how does AI do that? Well, one powerful way to drive lifetime value is to increase retention. And the best way to increase retention is to increase engagement. And the number one reason to engage more with Spotify, and it happens also to be something that drives willingness to pay, is personalization. And AI, whether it's general recommendations or reinforcement learning systems, it just takes personalization to a whole new level. And thus, you have a domino sequence of how really we enhance the value of our platform as we continue to invest in AI. AI leads to better personalization. Better personalization leads to more engagement. More engagement leads to more retention.

More retention leads to lifetime value. And boom, more lifetime value leads to more enterprise value. And I would just add to this, your question of do we need to invest in content creation tools? We have all the technology and capabilities that we need since a long time. This is a tech company. So we are working with the industry to enable these opportunities.

Analyst Batja Levy (Firm): Following the recent U.S. price increases, how do you see the price-to-value relationship of the service relative to your competitors, and how do you expect churn to play out versus prior rounds of price increases?

Executive: Thank you, Batja, one of my favorite topics. I'm really happy with the price increases we implemented back in January of this year. There have been really no surprises at all. Churn is low and came in according to our expectations. And just

as a reminder, this $1 increase is the same magnitude as the U.

S. price increase that we implemented back in, I think it was June of 2024. The one important thing to point out, though, is that price increases, as you know, is one of several levers we pull for growth. And when we adjust price, we do it from a position of strength. And you know this already, but I'll say it anyway. We evaluate pricing on a market-by-market basis, and we optimize for the long-term value of our platform. And you've seen it in the last few years. We do not apply a one-size-fits-all approach to this. And to your question, ultimately what we strive to do is to always create more value than price. And that happens while we're adjusting the price points as we go. This is the kind of value-to-price ratio we believe in.

Analyst Rich Greenfield (Firm): What's changed at Spotify in the early days following Daniel stepping back from the CEO role?

Executive Gustav (Title): Well, this is Gustav. I'll take a stab at this. From one point of view, not that much has changed because we've kept growing market share and leading. But structurally, some things have changed because first and foremost, Alex and I are two people. So we had two direct reporting teams. And we thought long and hard about how we were going to do that. Were we going to sort of split the thing down the middle? manage our own teams have our own meetings we decided not to we decided to run this as a single direct reporting group something that we run weekly for three hours called e-team so that changed we focused even more on synchronization than i think daniel did and so we have the entire decision layer of spotify sort of the vps vp layer in this room three hours every week deciding and running and unblocking the entire company. So there's been a shift in how we operate and we focus even more on synchronization and planning. And I want to touch on this because in this age of AI, I think many companies are making a mistake. Maybe I shouldn't reveal this, but I will anyway. People feel like when you have AI, you don't need to plan anymore. I think it's actually going to be the opposite. When you have productivity on tap, what you need to have are very good plans so that these agents are highly utilized and stay busy. So being a company that can plan well and know what you want to do is actually going to become more important, not less important.

Executive Alex (Title): I'll lay into that a little bit. I think this shift really began more than two years ago. It was carefully planned, and to Gustav's point, we now not only synchronize across the company with all of the different teams and their leaders, but we also set targets and we land planes that are important. We are very deliberate about how we target and manage the outcomes that we want for the company and our P&L and balance sheet. And if you look at the past three years, you've seen us compound revenue growth at 17% FX neutral. We have grown gross profit by 20% on a compounded basis for three years. And what's more is that we have added 18 percentage points of operating margin and we're now generating almost 3 billion euros for 2025 in free cash flow, which is a 17% cash margin. So all of us are super happy about this run, and we are definitely in a very strong position as a team to continue to invest and grow the future of Spotify.

Analyst Rich Greenfield (Firm): Can you help us understand why you want to be in the physical book-selling market?

Executive Gustav (Title): The reason that we are in the... First of all, I want to say that we're not holding inventory or anything like that in this business. The reason we want to be in the physical book market is because we think that it's not a separate market. It is the same book market. So one of the most common feedbacks we heard when we talk about audiobooks was people saying that... Yeah, I like it, but it's not enough. I really like reading at night or in the morning. I don't want to lie and listen to my audio book in bed because if I fall asleep, I miss it, etc. So we realized that while it technically and financially looks like a different market, we tend to focus on the consumer. And from the consumer, it's the same book, whether it's a physical book, it's on their Kindle or their audio book. So this is what drove us to, it was really the consumer that drove us to enabling this as well. So that's how we think about it. We want to do books, and that requires being in physical books as well. It doesn't really matter if the consumer bought the book themselves and then synced to the audiobook, but we want to make it super easy. If you find the book on Spotify, to not say that, well, I'm not going to listen to this book because I also want to read it. If that's the case, we're right there. You just click buy, it arrives in your home, and then you can sync it back and forth. So this is really a consumer-led innovation.

Executive: We were so bullish on audiobooks there's so much upside there. You saw us launch audiobooks in premium in recently in Sweden, Denmark, Finland, Iceland and Monaco. And it's still very early days but the publisher's reactions to our entrance into the market in the audience we attract and engage have been just super positive. You heard Gustav talk about audiobook recaps page smash just now and the partnership with Bookshop. You know, in just two years, which is very short order, we've more than tripled our catalog to over half a million titles and expanded into 14 global markets. And there's so many more markets to go from here. And I just want to say that we talked about raising our ambition. Now, Alex and I want to do something different. We want to build something that never existed before, rather than trying to copy something that existed. And I think books is a good example of this. We're looking at a consumer problem that no one else really looked at and said, this needs solving. We really want Spotify to be your media partner. If that requires us syncing to your physical book or your Kindle e-book, then let's just solve that.

Analyst Stephen Cahal (Firm): With the stock down approximately a third over the last three months, the market appears to be implying Spotify will be negatively impacted from AI. What do you think the market's missing from how Spotify can benefit from AI, and what are your top priorities so you don't fall behind within this new industry landscape?

Executive Christian (Title): Hi, Steven. Let me start and then hand over to Gustav, but I think it's been notable listening to today's discussion and also seeing the last quarter, of course, that AI has been something that has been hard to grasp for many people. We don't comment on our share price when it changes like in this short term and so on, and we will not do that going forward. But it's obvious from the recent months, but also from the discussion today, I would say, and all the questions we get, that AI is something that is interesting and will have an impact. And I think hopefully we have discussed and explained why this is a great opportunity for us. And as Gustav said before, we didn't start now. We started many years ago. And if you haven't, you probably will have a tougher time. And that's why we think this is a great opportunity.

Executive Gustav (Title): I won't say that much more, but Alex here told me that the Chinese sign for macro wind is opportunity. So we're going to try to capture that opportunity. I want to be clear. So we're going to invest, but we're going to invest with discipline when we see clear opportunities and returns.

Analyst Doug Ameth (Firm): When should Spotify see easing headwinds to subscriber conversions from the recent free tier announcements with a shift towards increasing conversions and subscribers? How does this impact the trajectory of both 2026 MAU and premium subs?

Executive: Well, Doug, we just came off of a really good quarter when it comes to both MEU and premium subs. So I am very, very encouraged about the 2026 growth of these two metrics. You know, we are seeing strong engagement uplift, not just in our new enhanced free tier around the world, but also generally for Spotify. And this was one of the major contributors to us adding 38 million users in Q4. You know, when you fix the – it's sort of like a leaky bucket. When you start plugging the holes, the level of the water will just rise faster. And this is perhaps the most important leading indicator to growth at Spotify. It's been so in the past 15, 16 years that I've been here. If engagement goes up, it means user growth will increase. And ultimately, this has downstream impact on the overall Spotify business, including subscribers and other monetization.

Analyst Justin Patterson (Firm): How is agentic coding changing product velocity? What do you believe gen AI could mean for engineer productivity and R&D investment needs?

Executive Gustav (Title): Thanks for the question, Justin. Well, I would say that I think it's obvious to everyone, but over Christmas, Christmas this year was an event, a singular event in terms of AI productivity. Certainly, I spent my entire vacation coding rather than being on holiday, and I think most people in tech did. A lot of things happened in December, including Opus 4.5 coming out to cloud code. And we crossed the threshold where things just started working. So a lot has actually changed very recently. And when I speak to my most senior engineers, the best developers we had, they actually say that they haven't written a single line of code since December. They actually only generate code and supervise it. So it is a big change. It is real, and it's happening fast. Now, as I said, we've discussed for the last at least one and a half years, not if this should happen, but when it should happen. And we've started building systems like Honk that I explained for this type of world. So I feel very well positioned to capture this. But I want to be clear, this is the beginning of the change.

There's going to have to be a lot of change in these tech companies if you want to stay competitive. And we are absolutely hell-bent on leading that change. But it will be painful for many companies because I think engineering practices, product practices and design practices will change. And the tricky thing right now is that if this was the end of the change, you could say this is what happened. Now let's retool for this. The tricky thing is that we're in the middle of the change. So you also have to be very agile. The things you build now may be useless in a month because it may be provided by one of the big engines, etc. On the other hand, it's getting so cheap to write code, so you should probably do it anyway. So I think what it's going to mean at the end of the day is that software companies will start producing enormously more amount of software. If you go back, there is this fear that software companies are not going to exist anymore. Everyone rolls their own products. I certainly don't think that's going to be true for consumer products. I think what will happen is something more like what happened with the Internet.

When the Internet came along, everyone thought that we would all have our own web pages. What actually happened was there ended up being very few web pages. In times of lower friction, things actually tend to aggregate, not disaggregate. That's the opportunity we see in front of us. I think companies such as us are simply going to produce massively more software up until our limiting factor is actually the amount of change that consumers are comfortable with.

Analyst Stephen Cahal (Firm): With premium ARPU set to accelerate for much of 2026, how should we think about premium and total margin expansion? Your Q1 margin guide already implies improvement versus the typical seasonality, so can we expect a stronger year for margin expansion than we saw in 2025?

Executive: So, thank you, Stephen. As you know, which I've said already, we don't give full year guidance on our gross margin. But you're right. I mean, we move into quarter one with an ARPA growth of 5%, 6%. That's a bit faster than we have reported in quarter four. And it incorporates recently announced price increases in the market like U.S., and that will flow through our P&L for a portion of the quarter and will improve a bit. But that said also, we have said it repeatedly and I will say it again, which is very important, except for that we're not guiding on full year gross margin. is that we actually do invest when we see an opportunity for long-term value. And that said, then, the quarterly progression of our margins could again be variable depending on the timing of discipline investments in our core and the monetization activities that I just mentioned. So keep that in mind. And as we say, we do believe that gross margin...